It may be pure hostility towards the scum, instead of mere disinterest of asocial person. It is not act made for benefit of the same feeble men. Did you believe in the sincerity of satanic proclamations? Anyway, at long last Clandestine Blaze were honoured with live performances. Lack of personality or lack of knowing what they really want, and ending up sounding just like all contemporary metal sounds like.6. In all honesty, stages were of course way too big compared to level where I like to operate. Originally intention was to be very monochrome, bleak and simple. This is to far bigger magnitude than those “normal folks” who live in seemingly regular social life.How I see it, is that in context of Black Metal, social uninterestedness is directed toward what one may call “banal life”. It's the same with Finland and Ukraine. It doesn’t matter whether this would relate to existence of “god” or for example existence of “human rights”.Act of man, what could be seemingly seen as “social life”, can be as easily his path to reject clearly false foundations that were based on feebleness of the fellow man. Almost none of albums are done with same gear, so things change naturally.I think studios like Necromorbus are equivalent for Morrisound, Sunlight, Abyss Studio, etc. Aspa formed Vapaudenristi in 2006. So how would you describe the musical progress for Clandestine Blaze? Compared to the many true asocial misfits, as opposite Black Metal people are often the most interested in creations of man, communication with like-minded, taking part of cultural phenomena, making impact on surroundings and interaction in general.

I don’t think genre itself presents one specific satanic element.

To me, they're the definition of bland. If bands themselves don’t have any real identity, then we will witness exactly situation we often have now. Of course still today Clandestine Blaze is not that “entertaining”, but there is perhaps less repetition and little bit consideration of music to work out also in theoretical live situation or listening for some sort of satisfaction. For example the more distorted and screeching guitar distortion.2. It’s like factory-line producing endless amount of regular faceless sound. He also runs since 1999 the NSBM label Northern Heritage, known to produce NSBM bands such as Peste Noire, Clandestine Blaze, Satanic Warmaster, Mgła, Walknut, etc… The book “Racist Metal: Exposing the Racism and Xenophobia … In our Bardo Methodology #2 conversation, Mikko expressed grave dismay over the amount of people who believe all Finnish black metal to sound similar or even the same. How do you think does it make sense to record an album in the garage and then send this material for mixing, for example, to Necromorbus Studio?– All material is self-recorded at rehearsal place. Anyway, Black Metal is a very specific subculture, which is little consistent with the “banal life”. Imagine that a young son of your neighbors (steeped to the lips in this “banal life”) decided to start his own Black Metal band and came to you for advice. Now there is a tendency when bands don’t record their stuff in the studio, but most often at their rehearsal places, after which they send their stuff for mixing to some eminent sound engineer. Let’s return to the mentioned topic of anonymity. Most of the scene there is linked to NSBM in one way or the other. In composition of songs, there are more focused ideas like how many times riffs or song structures can be repeated before they start to lose their power.

Without doubt, CB has always been about recordings.

Aspa cites Darkthrone, Burzum, Beherit and Bathory as key influences. In case of such project, anonymity is merely semantics. How then to be with the asocial (antisocial) essence of Black Metal?– To quote Nietzsche: “I mistrust all systematizers and avoid them.

On the one hand, the creator seems to be alienated from his creation — the listener get only music without any personality of the author. In early work, it was almost opposed to this idea. Mgla, DsO, Sargeist, Drudkh, Burzum, none of them. There is no route to success so to say.

Further. Plus a bunch other shit and connections. Meaning, as much as they originally contributed to the landmark albums of genres, they have become almost synonym for flat mass product. Nor I’m interested in satanism as substitute for liberal world view.To me, satanic pathos is directly linked to world view and search for knowledge and transformation of existence. Too many times for example guitar or drum sound nowadays is so generic.

Favorites from album would be “Anti-Christian Warfare” and “Icons of Torture”. Deathspell Omega's music is so fucking ruthless that even the greasiest heathens from the dankest, mustiest basements of the black metal underground endorse them.Case in point, Mikko Aspa of Clandestine Blaze fame namedropped them in an interview with Chronicles of Chaos, stating that Deathspell Omega are “among [his] favourites,” which is a pretty lucky stroke for …

Vapaudenristi with a fan in 2016.

I don’t understand why so many people on Reddit and the Metallum forum are so flippant about fascism. Repetition beyond necessary level. While music of later albums is more suitable for live music, to really transform this to stage is not so obvious. There is no glory in “popularity”. Other music starts to sound flat and soulless when people use clean production.I think this can be generally observed as problem of generic metalheads: Their idea of good sound is that “everything can be heard clearly”.

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