In 2005, Cunningham released the short film Rubber Johnny as a DVD accompanied by a book of photographs and drawings. Chris Cunningham Live debuted as one of the headline attractions at Warp 20 in Paris on May 8, 2009 with other performances scheduled at festivals in UK, and a number of European cities later in the year. In the course of his TV, movie and film effects and concept art career, Cunningham is perhaps still best known for his 1990s turns as a creature and concept artist on such 90s sci-fi films as the In the comics field, from 1990-1992 Cunningham contributed the occasional cover painting and comic strip for Subsequently, Cunningham was chosen as the concept artist, special makeup effects designer and builder behind many of the successful effects in the 1994 feature film version of Other earlier work in film for Cunningham included model making, prosthetic make-up and concept illustrations for Cunningham then began his close ties to Warp Records as director on a series of music videos. With his series of music videos completed, Chris produced a number of commercials, including Telecom Italia, Playstation, Orange, ITV, and Nissan. In 2000, Cunningham and noted cyberpunk author William Gibson began work on the script for Gibson's 1984 novel Development funding was in place for Cunningham to direct and co-write his first feature film for Warp Films, to whom he was at the time committed "for all future full-length film projects." Shot on DV night-vision, it was made in Cunningham's own time as a home movie of sorts, and took three and half years of weekends to complete. He then began work as a music producer and produced two tracks on The Horrors' Mercury Prize—nominated second album Primary Colours in 2007. In other music producing work, Cunningham also created audiovisual remixes for Gil Scott-Heron and Grace Jones. Each robot was designed by Cunningham, and the faces are reminiscent of Björk’s own delicate features. Flex was commissioned by the Anthony d'Offay Gallery for the Apocalypse: Beauty & Horror in Contemporary Art exhibition curated by Norman Rosenthal and Max Wigram at the Royal Academy of Arts in 2000. Monkey Drummer debuted as part of Cunningham's installation at the 49th International Exhibition of Art at the 2001 Venice Bienalle, which consisted of a loop of Monkey Drummer, Flex, and his video for Bjork's "All Is Full of Love". His first production was for the British electronic duo Autechre. alongside other pieces by Bacon, Klimt, Rembrandt, Rodin and Picasso. He has also directed TV commercials for PlayStation, Gucci, Levis, Telecom Italia, Nissan and Orange.

Cunningham also created photography and cover artwork for various clients including artists whose videos he has directed, such as for Bjork's "All Is Full of Love", Aphex Twin's "Windowlicker" and "Come to Daddy".

Back in the music field In 2008, Cunningham won a Cannes Golden Lion for his reworking of Donna Summer's "I Feel Love" in his 2008 Gucci Flora commercial. He had travelled to Nashville to work with Donna Summer to record a brand new vocal for it. His video for Bjork's "All Is Full of Love" won multiple awards, including an MTV music video award for Breakthrough Video and was nominated for a Grammy for Best Short Form Music Video.

Take your favorite fandoms with you and never miss a beat. The Work of Director Chris Cunningham (Video 2003) cast and crew credits, including actors, actresses, directors, writers and more. From 2003/2004, Cunningham took a sabbatical from film-making to learn about music production and recording and his focus shifted to developing his own music projects. The short film was edited to music by Squarepusher, My Fucking Sound, from the album Go Plastic and a piece called Mutilation Colony, which was written especially for the short and was released on the EP Do You Know Squarepusher.

He produced and arranged a new version of the song for the commercial, which he also directed. These performances evolved into Chris Cunningham Live, a 55 minute long performance piece combining original and remixed music and film.

His video for Aphex Twin's "Windowlicker" was nominated for the "Best Video" award at the Brit Awards 2000.

The Telegraph called it "like a Looney Tunes short for a generation raised on video nasties and rave music". Chris Cunningham (born October 15, 1970) is an English film creature-effects and conceptual artist, film, commercial and music video director, and comic book artist and painter who served as part of the creature effects crew on the 1992 film Alien3 and as a character designer on the 1997 film Alien Resurrection (credited under the alias Chris Halls).

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